❰ Back
Gallery
Share
 

Dolby Chadwick Gallery

210 Post St 205, San Francisco
415 956-3560
Tues - Fri, 10 - 6, Sat 11 - 5.


Phone

Map

Website

Chris Cosnowski: Might and Main
Aug 30-Sep 29
Cosnowski’s paintings are whimsical explorations of the conflicted soul of our pop culture. His toys, trophies, models and other Americana transport us into a world that’s both playful and haunting, sacred and silly, minimal and complex. Many of his figures seemed to have jumped right out of a nostalgic childhood dream. Fisher Price Little People smile at us with their round faces primary color toy planes circle the sky and trophies remind us of past glory and success. But there is something uneasy about them. The spray-plated plastic trophies look hollow and cheap the toy people—often suspended dead center in the middle of the painting—appear isolated, lonely. Each is painted with a heartrendingly loving hyper-realism, yet set against an empty, monochromatic background which turns them into objects of an abstract world.


Elizabeth Fox: My Darling Clouds
Aug 30-Sep 29
Fox’s paintings are siren songs that live in a sphere somewhere between the subconscious and the magical. Her figures are often pale, ghostly, smoke & mirror, more shape than body. The world they move through is one that’s at once mundane—an office, a bus stop, a street with trash cans—and surreal: it’s as if Fox is squeezing the real out of reality, and what’s left is an etherealized version of strange, dream-like beauty.


Matt Gonzalez: Derivations in Color
Oct 04-Oct 27
Gonzalez’s collages are meditations on the nature of equilibrium. They create a balance between the ‘feeling and the syntax of things’ (to quote E.E.Cummings), between our sensuous, emotive experience of the world and the rational interpretation of it. Geometrical lines and figures form highly structured compositions that are so complex and self-contained that they look like living systems. But each of them is also suffused with a sumptuous color that exudes a nearly religious depth and simplicity. Balancing the two, Gonzalez creates an aesthetic equilibrium from which a subtle glow seems to emanate—like bioluminescence from a still, silent sea.